悲剧之后，人类最后的净土，将会走向何方？

Walker Evans, the Metropolitan Museum of Art's catalog to its current major retrospective, is a rock-solid work providing biographical, historical, and visual accounts of the artist's life and work. Hambourg, an assistant curator in the museum's Department of Photography, edited this big book with the straightforward approach that Evans employed in his art. Careful reproduction...(展开全部)

"Ce dont je ne cesse de parler dégage une pureté, une rigueur, une immédiateté qui s'obtiennent par absence de prétention à l'art, dans une conscience aiguë du monde". La définition est parfaite. Il est vrai que Walker Evans a photographié l'Amérique de la dépression avec un constant souci d'objectivité, dans une sorte de neutralité documentaire. Mais la subtile plasticité de s...(展开全部)

悲剧之后，人类最后的净土，将会走向何方？

Treacle Walker is a stunning fusion of myth and folklore and an exploration of the fluidity time, vivid storytelling that illuminates an introspective young mind trying to make sense of everything around him. ‘Ragbone! Ragbone! Any rags! Pots for rags! Donkey stone!’ Joe looked up from his comic and lifted his eye patch. There was a white pony in the yard. It was harnessed to a...(展开全部)

Walker Evans, the Metropolitan Museum of Art's catalog to its current major retrospective, is a rock-solid work providing biographical, historical, and visual accounts of the artist's life and work. Hambourg, an assistant curator in the museum's Department of Photography, edited this big book with the straightforward approach that Evans employed in his art. Careful reproduction...(展开全部)

5 - "The Wench is Dead" 37 - "Miracle on Vine Street" 45 - "A Matter Of Taste" 49 - "The "Freedum & Weap" Stories" 123 - " Martians Go Home" 187 - "The Water Walker"

In this examination of the monster as cultural object, Judith Halberstam offers a rereading of the monstrous that revises our view of the Gothic. Moving from the nineteenth century and the works of Shelley, Stevenson, Stoker, and Wilde to contemporary horror film exemplified by such movies as "Silence of the Lambs," "Texas Chainsaw Massacre," and "Candyman," "Skin Shows" unders...(展开全部)

Through the figure of Josephine Baker, Second Skin tells the story of an unexpected yet enduring intimacy between the invention of a modernist style and the theatricalization of black skin at the turn of the twentieth century. Stepping outside of the platitudes surrounding this iconic figure, Anne Anlin Cheng argues that Baker's famous nakedness must be understood within large...(展开全部)

Shortly after World War I, a troubled man accepts a solitary assignment as a "weather official" on a tiny, remote island on the edge of the Antarctic. When he arrives, the predecessor he is meant to replace is missing and a deeply disturbed stranger is barricaded in a heavily fortified lighthouse. Gruner, the man inhabiting the lighthouse, approaches the newcomer at first as an...(展开全部)